● Frame 024 / 1,440Series · Structures
Alexandria, VA38.8077° N · 77.0648° W
A Thirty-Year Archive

The archive of a seeing eye.

No. I · 024 George Washington Masonic National Memorial ƒ/8 · 1/200s · ISO 100 · Canon EOS 6D
Jeremy Bracamontes
© 2019Kodachrome Look
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Artist Statement · § 01

Thirty years behind the lens — classically trained on film, refined through the digital decades. I photograph structure, spirit, and stillness: the geometry hidden in architecture, the theater inside a bottle, the quiet of a morning no one else saw.

— Jeremy Bracamontes

§ 02Three Bodies of Work

No. I · Structures 12 Works
No. I

Structures

Monuments, temples, and the abstract architecture of built spaces. Sunstars, long shadows, and classical geometry reframed.

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No. II · Spirits 12 Works
No. II

Spirits

Bottle art at the intersection of still life and theater. Craft spirits photographed as sculpture.

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No. III · Wild 9 Works
No. III

Wild

Landscapes and cityscapes at rest. The monument, the water, the patient hour before the world wakes up.

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The Atelier · Finite Editions

Printed in metal, canvas, and archival cotton.

Every print is produced in a numbered edition, hand-inspected, and shipped from a master lab. Select from aluminum, float-mounted acrylic, gallery canvas, archival cotton rag, or custom wood-framed finishes. Signed-edition tier available by inquiry.

Browse the Atelier
Aluminumfrom $240
Acrylicfrom $320
Canvasfrom $180
Cotton Ragfrom $140
Wood Framefrom $380
Signed Ed.by inquiry
● Frame 024 / 12No. I · Structures
Alexandria, VA38.8077° N · 77.0648° W
Home / Works / Structures
Collection No. I

Structures

Featured · No. I · 024 George Washington Masonic National Memorial ƒ/8 · 1/200s · ISO 100 · Canon EOS 6D
Jeremy Bracamontes
© 2019Kodachrome Look
Works12
MediumFilm → Digital
Formats35mm · Medium · Digital
EditionsOpen & Signed
Collection Statement · § I

I don't photograph buildings. I photograph what light does when it finds them. The temple, the memorial, the column — all of it is just a frame for a moment that has already passed by the time I see it. What I keep is the afterglow.

— Jeremy Bracamontes

§ IIThe Gallery

Showing 12 Works · The Complete Collection