I started on film — really started. Darkroom trays, enlargers, the smell of fixer in a closet I'd converted after midnight. Classical training under photographers who cared about composition before subject, about light before location, about patience before anything else.

Decades later, I'm still a film photographer holding a digital camera. The tools changed. The way I see didn't.

Structures came first — the geometry of buildings, the weight of monuments, the way a column holds light at seven in the morning. Architecture was where I learned that every composition has two layers: the one you see and the one holding it up.

Wild was always there alongside — landscapes and cityscapes at rest. The patient hour before the world wakes up. Water that holds the sky. Light doing what it does when no one's looking.

Spirits came later, and unexpectedly. Craft spirits photography turned out to be the truest still life I'd ever made. A bottle is a stage. Liquid is a character. A skull wrapped in butterflies is a whole theater waiting to be lit properly.

Before I was a photographer professionally, I served. The discipline I carry into every shoot — show up early, wait longer than anyone else will, respect the subject, leave no trace — came from there.

The studio is based in the National Capital Region. Certified Service-Disabled Veteran-Owned Small Business. Commissions welcome. Prints shipped worldwide.